The danger of a single story



Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice -- and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
Listen to a TED talk “The danger of a single story” and explain the following words and expressions:
crayon illustrations –
to be obligated –
vulnerable –
to become convinced –
mental shift –
perception of literature –
to stir imagination –
unintended consequence –
domestic help –
to startle –
default position towards sth/sb –
well-meaning pity –
to embrace new identity –
to get irritable –
incomprehensible people –
to fleece (the healthcare system) –
to sneak (across the border) –
to be immersed by sth –
to dispossess a people –
close-knit family –
to devalue education –
to flatten experience –
to engage with a story –
despite odds –
to nurse ambitions –
to eager –

Answer the questions:
1.      Why did a narrator’s roommate feel so-called well-meaning pity towards Chimamanda when she went to the university in the United States? What influenced her roommate’s view of Africa?
2. What did a professor mean when he told Chimamanda’s novel was not “authentically African”?
3.  Due to the opinion of the Palestinian poet, Mourid Barghouti, what is the best way to dispossess a people?
4. What is a stereotype? Is it always untrue?
5. Do you think that stories matter? Why? What should a person have to write a good story?
6. Have you ever tried to write or to tell a story? What was it about?
7. What is the danger of a single story?
8. What does the Chimamanda’s ending thought mean?

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